Jason

Jason has a wicked sense of humour. His partners would describe it as irrepressible and devilishly clever; his victims would describe it as darkly ingenious - if they could. You need a very flexible mental attitude when you're a professional assassin and Jason's sense of humour provides an incalculable edge. Originally recruited and trained by MI5, he grew tired of the conventions and strictures placed upon him - and much to the consternation and chagrin of his handlers and superiors, he went freelance - or in their parlance, "rogue". Known as "The Joker" in international circles, Jason's services are highly compensated and his results are always spectacular. He loves a challenge - Jason will only take on an assignment which he knows he can make into a work of art. He also brings the same dedication and creativity to his personal life as he does to his work - you never know what he's going to come up with, but you can always be guaranteed it will be amazing.

Jason truly enjoys his intimate encounters and takes his time - "After all," he has said, "dessert should come at the END of the meal, right?" He can keep his buddy on the edge of release for hours and when the time comes, the culmination is the stuff of legends. Jason's favorite position is to have his partner on his back - he loves to see the emotions cross his lover's face as he thrusts into them. He enjoys running his fingers through his partner's hair and gently stroking his face, chest and back during long, deep kissing sessions before (and particularly) after, and often tickles his buddy into exhaustion - just for the fun of it.

Although completely unsubstantiated, there is a recurrent rumour that Jason is Duncan's baby brother.

A friend and I were having a discussion in work about the recent Nicole Kidman movie, "The Invasion" and how the quality of most movies have seriously deteriorated over the years. We got around to talking about the movies of the 1940's and how the important the plots and dialogues were since everything was watched by censors - that was the Golden Age of the double entendre. We were also speaking about how the costumes - while not as revealing as the ones today - provided a great deal more to the imagination and were incredibly sumptuous - and typified the adage "less (revealing) is more (appealing)". That what was running through my mind as I looked at myself in the "Artist" mask - a bit of classy Golden Age rogue and an apparently restrained demeanor through which a wicked sense of humor peeks ...